Last year's Peanuts Movie did the near-impossible and pulled off a successful translation of Charles M. Schulz's iconic style and characters from their native 2-D to CGI. That technical breakthrough was the film's real marquee attraction; the story was just a greatest hits. Structured over an entire year, you got the Red Baron, the Little Red-Haired Girl, the whole deal. Despite the deep melancholy and ennui at the strip's heart, Peanuts is a comic ultimately built on comfort and refuge.
Knowing that, it's easy to see why the new Boomerang/Cartoon Network series, Peanuts, went the route it did. Rather than attempt to modernize or emulate newer shows like Steven Universe or Adventure Time, Peanuts opts for a familiarity that perfectly evokes the feel of the comic strip.