Even your favorite rock god makes a mistake every now and again. And not just onstage or while taking part in some booze-driven shenanigans. In fact, as you'll see in the following list of Screwups in Your Favorite Rock Songs, some of these mishaps even make it onto proper albums. The reasons are many: Sometimes, that was simply the best take; other times, they might have simply found it funny. Rumors have, very understandably, grown up around many of them. Whatever the case, there's always a fizzy sense of discovery when you find a new one.

THE BEATLES: Squeaky shoe

Sessions for the Beatles' "A Day in the Life" were complicated enough as it was. After all, the album-closing track on 1967's Sgt. Pepper's Lonely Hearts Club Band married two musical ideas from John Lennon and Paul McCartney; the song was later completed with a sprawling 40-piece orchestral performance. Then Ringo Starr inadvertently made things way more interesting.

"On one of the overdubs, Ringo shifted position very slightly at the very end, causing his shoe to squeak," engineer Geoff Emerick wrote in Here, There and Everywhere. "This happened, of course, just when the sound of a pin dropping could be heard! A cross Paul shot him a sideways glance, and from the look on his face, I could tell Ringo was mortified. If you listen quite closely to the song just as the sound is fading away, you can hear it clearly, especially on the CD version, where there is no surface noise to mask it."

You can also hear someone exclaim "fucking hell" at about the three-minute mark during "Hey Jude." Also, McCartney laughs while singing "Maxwell's Silver Hammer" supposedly because Lennon mooned him in the studio.

VAN HALEN: Forgotten lyrics

Any regular concertgoer has heard their favorite band whiff on a lyric while onstage. It's rare, however, that such a thing gets preserved forever on a studio album. That's just what happened during the loose sessions for Van Halen's 1980 album Women and Children First. While tracking "Everybody Wants Some," David Lee Roth was apparently supposed to sing something that resembled "I’ve seen a lot of people take a ride on a moonbeam," but he forgot the line. Roth copped to completely making up the next jumble of sounds to come out of his mouth – "Ya take a moople-ah, wookie pah-a moopie," maybe? – as part of his autobiography, Crazy From the Heat. He also comes in early at 3:34, tries to sing "I like ... " but is cut off by Eddie Van Halen's next chord.

LED ZEPPELIN: In a flight pattern

Yes, that's an airplane going overhead while Led Zeppelin perform "Black Country Woman" for 1975's Physical Graffiti. We also hear John Paul Jones noting its noisy presence. And Robert Plant brushing such concerns aside, saying "Nah, leave it." The song was recorded in a back garden in 1972, which also apparently led to a duck attack while Plant was trying to nail down the vocal for a different song.

Elsewhere, John Bonham was apparently helpless to stifle a cough while Plant gamely wailed away on "In My Time of Dying." "Won't you make it my dying, dying ... " Plant sings before Bonzo lets loose. That was par for the course on this project. "We were just having such a wonderful time," Jimmy Page told Uncut in 2008. "Look, we had a framework for 'In My Time Of Dying,' okay? But then it just takes off and we're just doing what Led Zeppelin do. We're jamming. We're having a ball. We are playing."

THE WHO: Inadvertent stutter

Roger Daltrey rose to fame behind a stuttering perform on "My Generation," but the bad timing on the chorus of the Who's "Eminence Front" was a different matter entirely. Pete Townshend enters a syllable behind Daltrey at roughly the 2:38 mark, then they appear to sing two different things – both "behind an" and "it's an" – before "eminence front." Engineers attempted to fix it for future reissues, but the best-known version of the song remains the one with the quite obvious fluff.

PINK FLOYD: Accidental cough

Sometimes, a mistake becomes a life-changing moment, and that was apparently the case for David Gilmour during sessions for Pink Floyd's "Wish You Were Here." While recording the delicate intro lines to this song, Gilmour – then a habitual smoker – let out an accidental cough. They decided to leave it in, correctly surmising that it added to the track's cool ambience, but Gilmour reportedly vowed to give up cigarettes after hearing the playback.

LYNYRD SKYNYRD: Lost donuts

Legend has it that Ronnie Van Zant cries out for lost donuts during the last minute of Lynyrd Skynyrd's "Sweet Home Alabama." If you listen closely at roughly the 4:10 mark, it certainly sounds like he's saying "My donuts! Goddamn." The reasons for such an outburst, if it happened, remain up for debate. In both principal theories, the boys go for take-out during a late-night session. After that, one of Van Zant's bandmates either sits on or swipes his sugary treat while he's doing a vocal take.

Also, his song-opening admonition to "Turn it up!" apparently wasn't a call to arms for Southern rock fans, but rather was directed at an engineer when Van Zant wasn't getting enough sound through his headphones.

VELVET UNDERGROUND: One member quit

As the din of the Velvet Underground's "Heroin" rose up around drummer Maureen Tucker, she finally just stopped playing. She reportedly couldn't hear anything, and figured the take was burning itself out. Instead, her bandmates kept going, leaving a noticeable spot around 6:17 when Tucker's drums completely drop out. A few seconds later, she then rejoined the proceedings.

"'Heroin' drives me nuts. That’s such a good song, I remember getting chills whenever we played it, and to listen to it on the album, it’s really depressing," Tucker told What Goes On in 1990. "I just stopped. I was saying, 'This is no good, this isn’t gonna work; we need phones or something.' So, I stopped, and being a little wacky, they just kept going, and that’s the one we took. And it’s infuriating, because you’ve seen us live, that’s a bitch, that song. I consider that our greatest triumph."

STEELY DAN: Misplaced stick

That one-take Steve Gadd solo on Steely Dan's "Aja" is the stuff of legend. There's one moment at the 4:47 mark, however, that he'd rather you not copy. That's when Gadd's stick slipped and tapped the rim of his drum. It's perfectly timed, and certainly fits into a performance where every part of his solo feels purposeful – but, in this case, it was not. The song was completed with a fiery call-and-response with saxophonist Wayne Shorter, but that was recorded later over already completed parts. The results were as big a surprise to Gadd as they were to everyone else.

METALLICA: Muffed note

Kirk Hammett hit a wrong note during the solo for the title track for Metallica's 1986 album Master of Puppets, giving new life to the lyric "I'm pulling your strings." Seems he somehow pulled one off the fretboard while recording, creating a one-of-a-kind – and completely unrepeatable – mistake.

"You know how you take an E string, you pull it down toward the floor away from the neck?" Hammett told Guitar World in 2002. "I accidentally pulled down on the string, and it fretted out on the side of the fretboard. We heard it back, and I was like, 'That's brilliant! We've gotta keep that!' Of course, I've never been able to reproduce that since; it was like a magic moment that was captured on tape."

THE B-52'S: Missed cue

Part of the fun of the B-52's hit "Love Shack" is joining in with Cindy Wilson's a cappella "tin roof, rusted!" Thing is, that was a mistake. Bandmate Kate Pierson says Wilson missed a cue as the group ran through the track, and she ended up singing before the rest of the group returned. True to form, the B-52's loved how offbeat and kooky it sounded, so they left the flub in.

"All of a sudden the tape stopped and I’m still jamming, you know?" Wilson told Valerie Simadis in 2017. "And they recorded it ‘cause we had to record all the jams so we could go back and listen to it. And so we just laughed. It was a great ending."

THE POLICE: Piano mishap

"Roxanne" didn't do much upon release in the U.K., but it helped break the Police in America. And it all began with an atonal burst of piano at roughly the 0:04 second mark, then a burst of laughter. Turns out, that's exactly what it sounds like: a huge mistake. Sting went to sit on a nearby piano at Surrey Sound Studios, unaware that the lid was up. The result was this burst of butt-produced dissonance.

PEARL JAM: Temper tantrum

You can actually hear drummer Dave Abbruzzese throw his drum sticks against the wall during the ending of 1993's "Rearviewmirror" from Pearl Jam's second album, Vs. This was apparently “in response to the pressure that was placed on him by producer Brendan O’Brien during the recording of the track," according to Kim Neely's Five Against One: The Pearl Jam Story. It got worse: A still clearly frustrated Abbruzzese later reportedly shoved a fist through a snare drum, then threw it over a cliff. He and the band split after 1994's Vitalogy.

EMERSON, LAKE AND PALMER: Stray curse word

Carl Palmer takes his work very seriously, as made clear during "The Sheriff" from Emerson, Lake and Palmer's 1972 album Trilogy. The drummer makes an obvious mistake during a solo intro, tapping the rim of his tom, and unleashes a clearly audible lament: "shit!" Later, and this admittedly may not be related, Palmer switches to woodblocks while Keith Emerson ends things with a honky tonk-styled piano solo. Leaving Palmer's exclamation in provided a moment of winking levity, and it was totally in keeping with the general sense of conviviality surrounding the "The Sheriff." It's another example, along with ELP songs like "Benny the Bouncer" and "Jeremy Bender,” of a propensity for humor that not only balanced the deeper conceptual elements of their projects but also remains quite rare in the prog genre.

ERIC CLAPTON: Nobody Hit the Record Button

Derek and the Dominoes' take on "Key to the Highway" on 1970's Layla and Other Assorted Love Songs fades in because it grew out of an impromptu jam between Eric Clapton and Duane Allman – and nobody was taping it. When the sound engineer finally realized something magical was happening, they were already several bars in. He hit the "record" button, but producer Tom Dowd was forced to improvise in order for it to make the finished album. Clapton and Allman were supposedly inspired to update the Big Bill Broonzy favorite because someone else in a nearby space at Criteria Studios in Miami was heard playing it. That person? Sam Samudio, better known as Sam the Sham.

JOE SATRIANI: Broken piece of equipment

Joe Satriani's otherworldly lead guitar on the title track from 1987's Surfing With the Alien was achieved by combining a wah-wah pedal and a harmonizer. He nailed the tone, if not the take, early on but was forced to keep it all when the harmonizer subsequently failed. Satriani said they were never able to recreate this sound again.

"We recorded the melody and the solo in about a half-hour and sat back and went, 'Whoa! This is a song, man!'" he told Guitar World in 2008. Then the harmonizer broke down. "When we finally got it working again, we weren’t able to recreate the original effect. It just sounded different. So, rather than screw up a wonderful-sounding performance that may have had a couple of glitches, we decided to just leave it, because it was just swinging."

BEACH BOYS: Smile!

The Beach Boys were notorious for leaving in mistakes on their early records, and even their masterpiece, Pet Sounds, wasn't spared. During the instrumental portion of "Here Today," singer Bruce Johnston and a photographer can be heard discussing a camera Johnston bought in Japan. Then Brian Wilson says, "Top, please" to the engineer. It's believed the chatter was not caught because they only had one session to mix it due to Capitol's impatience with the long-overdue album. The mistake applies to the original mono release. It was removed when Pet Sounds was mixed in stereo for a 1996 box set.

 

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